In 2007, Meghan O’Hara created ten web comics devoted to the online game World of Warcraft. That web site disappeared before the end of the year, and I thought it was lost forever.
Some remain lost, including “Munter Aggro” and “Eloquence”, but some have been found. Here for your enjoyment is what I have been able to find of Meghan O’Hara’s Hammer of Grammar…
(These are thumbnails. They are links. Click them.)
[I enjoy doing this sort of thing, and I think I have an eye for it. If I were a bit more ambitious, I would try to do it as a “side hustle”.]
“Psychological warfare has a new meme for your approval, Your Majesty.”
“What is this, Klytus: some new form of torture?”
“Most amusing, Your Majesty. These are a form of propaganda used on the Earth.”
(Ming examines the image)
“Would you like to explain why there is a Frigian labour beast next to the exalted name of MING THE MERCILESS, or should I call for the bore worms now?”
“Of course, Your Majesty may do as he pleases in all things, and I embrace the opportunity to display my undying loyalty. But as it happens, that is the current year according to the reckoning of the people of the planet ‘Earth’. The animal is a symbol of strength, ruthlessness, and nobility. It is known locally as a ‘jumbo’.”
“What primitive creatures these Earthlings are. And the purpose of this image?”
“Why, to grant the Earthlings hope, Your Majesty.”
“Hope?”
“Hope that you will show mercy, Your Majesty.”
(Ming pauses, then slowly claps, exactly three times)
(laughing) “Well done, Klytus. I look forward to reports on the psychological damage.”
(chuckling) “Thank you, Your Majesty. HAIL MING!”
P.S.
Being an actor must be such a strange job. You wear what someone else picked out, stand where they say to stand, and say what they wrote for you to say. And yet, it is so much more difficult to do than that makes it sound (I have only had a couple of amateur performances in my past, but it was enough to learn that much).
Then (if it’s film or whatever), you spend days, weeks, months, traveling from city to city just to sit and repeat the same half-dozen sentences about it for “interview” after “interview”. (Do they even get paid for any of that?)
And then, when the product is complete, you bear the brunt of the blame for the end result, even though you just did what you were told to do.
And whether you even get the job in the first place is dependent on factors so far beyond your control that joining Scientology or Keith Raniere’s bonkers sex cult seem like good alternatives.
Show business, man. It ain’t for sissies. (I think Betty White said that, originally, but I may be mistaken.)
Elevator pitch: Doughy old white dude (DOWD ?) offers useful advice to young people, based on things that he learned while living this long — with the disclaimer that at any moment, what he suggests might be rendered distasteful, ludicrous, or simply impossible by the passage of time.
I’d call it ADVICE FROM THE PATRIARCHY.
Today’s advice: Sardines are the best fish for you. They are sustainably harvested, full of healthy stuff (one of the few natural foods with Vitamin D, just for example), and no risk of bad stuff that may come with larger fish (no risk of ciguatera, for example). And King Oscar has the best sardines.
They are not good for you if you have gout, sadly. But if you are so afflicted, I suspect that you already knew this.
Later…
“Advice From The Patriarchy … Because nothing says ‘privilege’ quite like offering unsolicited advice to an entire generation.”
See, I think that’s hilarious. But I suspect that the desired audience would not appreciate the joke.
For no particular reason, the song “Fame”, by Irene Cara, came into my mind today. Google tells me it was released in 1980: 42 years ago. I haven’t heard it in very nearly that long, but I recall it clearly, and I even recall the name of the singer.
That is just how hugely popular that song was… briefly. And then nothing. When’s the last time you thought of it? How strange that is. The fleeting popularity of fame, so to speak.
It’s not really my style of pop song, and I still haven’t seen the eponymous movie, but even I loved the song and sang along to it, at the time. Of course, I was in my early teens then, and a boy, so I could never actually tell anyone I loved that song. It would have been indistinguishable to wearing a “call me a ‘homo’ and push me down” sign. (I’m not gay, and was even less so then, thanks to adolescent hormones, but bullies don’t place a high value on accuracy. Hopefully, my own miserable teen years helped distract the bullies from actual gay kids.)
Anyway, that’s not what compelled me to write this post. I’m writing this post because I asked Google to “play ‘Fame’ by Irene Cara on YouTube, on ‘downstairs group'” (my downstairs speakers). And, obligingly, it did (Google can be… contrary, sometimes).
And then it played “YMCA”, by the Village People.
And THAT made me laugh out loud.
Imagine a world where Amazon and Google and Microsoft and Apple had the combined wealth and power of Mailboxes, Etc. …
Proposal: some services must never be operated for profit. As in, if you want the license to operate, you operate as not-for-profit, with all of the oversight and regulation that entails. What kind of services?
Story hook: a team of people from 2080 go back to the 1960s to attempt to prevent the end of Human civilization. How? By lobbying legislators to put civilian use of ARPANET under exclusive control of the US Post Office before Robert Kahn and Vinton Cerf develop TCP/IP.
Update: In case this was unclear: if you put “Contracting Company” after any of these services, it should make NO DIFFERENCE. NONE. If you want the license to operate, you operate as not-for-profit, with all of the oversight and regulation that entails. We are at least a generation past the point where the “contractor” loophole should have been legislatively closed. Human beings are not “resources” to be squeezed dry and discarded.
I did not love “Spider-Man 8: No Way Home“, but I did think it was interesting. I am not sure making the villains more pathetic was a good choice for this kind of film. I think it’s worth seeing, though.
Fun with voice recognition…
I asked Google to play “Hello, it’s me” by Todd Rundgren, on YouTube, on my downstairs speakers. It played some weird song I had never heard before, but I liked it. Then it played another song I had never heard before, and I liked that one, too. The third one, too! (I have linked to that one below. I have since learned that it was a huge hit everywhere other than the USA.)
That was the first song I looked up as it was playing. After that, I just let it play for a while. Then I noticed there was a theme. Five or six sings songs in a row (at least) seemed to be about robots in a children’s amusement park, and they all seemed kind of sinister…
We’re not so scary if you see us in the daylight
“Survive The Night” — “Five Nights At Freddy’s”
You’ll be so happy just as long as you survive the night
I looked up a few of those songs, and they are all from a game called “Friday Night At Freddies”. I’ve heard of the game, but I’ve never played it or heard any of the songs from it. From what I have heard so far, it has a killer soundtrack.
Avengers: Endgame…
Society dealing with a 50% loss in population is nothing — NOTHING — compared to the mass starvation and tragedy that would result from a sudden 100% increase in population after society has adapted to the previous 50% population loss.
Today you have two children. You have a job, and you can feed them.
Tomorrow you have another unemployed adult in your household, and two more children to feed.
How does that feel?
And that’s if you are lucky. If you aren’t, you (SUDDENLY — to you it seems five years have gone by in a moment) are a single adult with a child, and you have no job and nowhere to live. And there are THREE BILLION people who, like you, weren’t here yesterday. Good luck finding a job or a place to live.
Avengers: Endgame is the beginning of a tragedy the likes of which the world has never seen.
“I have absolutely no idea what we’re doing here, or what I’m doing here, or what this place is about. But I am determined to enjoy myself.”
So… okay, I interrupt my reports of the previous moment’s heart-rending injustice (which is 87% likely to be something found exclusively in the United States Of America), to talk about a show I like, and to also share an unexpected heart-rending.
I am currently watching “Upstart Crow” on BritBox on Roku, and I am on the “Christmas Lock Down 1603″ episode. Thus far, it has been a humourous coddangle of an episode, to enjoy over an evening’s thrillop and quentish. But what’s this? Will (Mr. Shakespeare, to some) says this…”I haven’t seen my family in months. I missed my father’s funeral. I never even got the chance to say goodbye!”
–record scratch–
Hold on: is Harry Enfield (the actor who plays William Shakespeare’s father) DEAD?
So I paused the episode, typed all of this into futtington Facebook, and then googled “Harry Enfield”…
Mr. Enfield is alive and well (as far as Wikipedia knows). So why would… oooooooh… (google “John Shakespeare” …) ah, John Shakespeare died in September 1601. And this, of course, is “Christmas Lock Down 1603”. Hang on, there: are we to believe that London has been experiencing a plague lockdown for … ah. Never mind.
KATE: After all, while we be locked in our homes, there be no land cleared, no rivers damned, no forests felled. Nature has its moment and all God’s creatures a year without fear that man will destroy its very habitat.
KATE: That has to be a good thing, doesn’t it?
WILL: Yes, Kate, it does. But it brings me no comfort, child. Because even if humanity has by some miracle used this time to take stock of the things that actually matter, and if perhaps nature has been given momentary relief from its brutal servitude to man, it won’t make any difference.
WILL: Because the second this is all over and humanity is free to roam once more, we will be exactly as shallow and facile and selfish and destructive as we ever were. We will have learnt nothing, Kate. Nothing. Because frankly, we never do.
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Blackmoor Vituperative