Blackmoor Vituperative

It’s not uncommon for me to have a song in my head. I typically wake up with a song playing in my head. And it’s not terribly uncommon for me to walk around singing a song I haven’t consciously chosen to sing.

What was unusual today was that I was singing a David Bowie song (“Modern Love”, if you really want to know), and about halfway through, I realized that I was singing it in the style of Elton John.

So… huh. Interesting. After that realization, I started singing other David Bowie songs. And it’s funny, but most of the ones I tried worked just fine in the style of Elton John!

Naturally, I tried some other bands’ songs… Journey, Flock Of Seagulls, Queen… and it’s funny how easily that they lend themselves to an Elton John impression. “We Are The Champions” and “Separate Ways” sung by Elton John work particularly well, in my opinion.

So at this point I am almost done with my shower, and I think, I wonder if it works the other way around?

So I try , and you know what? It doesn’t work. I can’t do “Saturday Night’s Alright For Fighting” in the style of Journey or Queen or David Bowie.

So is that a strength of Elton John (or Bernie Taupin), or is that a weakness of my non-Elton John impressions?

Really makes you think.

You’ll wake up tomorrow, you’ll be glad that I came
Because you’ll be singing one of the songs that I sang
So keep a happy outlook and be good to your friend
And maybe I’ll pass this way agaaaaaaaaaaaaaaain
Maybe!

Bye.

Two days until Christmas! Here is a classic Christmas song written (as so many were) by Jewish composers, Joan Javits and Philip Springer: “Santa Baby” (1953). It was written specifically for Eartha Kitt, for whom it was an instant hit. Kitt, at 26, was a star on Broadway and considered (by Springer, at least) the “sexiest woman in the world”.

People act like copyright is this intrinsic moral law of the universe. It’s not. It’s new. And it very clearly has become a tool to allow huge corporations to annex our shared culture, depriving future generations of what is rightfully theirs. People who shill for copyright are not much different than the polluters who want to keep pumping carbon into the air regardless of the effects it has on future generations — effects which are already very much apparent. It is, at best, grievously short-sighted.

Wait, what are you talking about, WE decided!? MY best interest?! How can you know what’s MY best interest is? How can you say what MY best interest is? What are you trying to say, I’M crazy? When I went to YOUR schools, I went to YOUR churches, I went to YOUR institutional learning facilities?! So how can you say I’M crazy?

I’ve always loved this song. I always imagined that the protagonist of the song was the same age as, or at most a couple of years older than, the girl he’s singing to/about (because that’s how old I was when I first heard it). The lyrics perfectly encapsulate that feeling of being hopelessly in love with someone for the first time, when you are young and inexperienced, and everything seems like the Most Important Thing That Has Ever Happened In The History Of The World.

Of course, nowadays, everyone wants to imagine the worst, the most despicable thing they can. Oh, well. As for the video… as someone wiser than I am once said, “Why ruin a great song by having to look at the person who sings it?”

She’s just sixteen years old
Leave her alone, they say
Separated by fools
Who don’t know what love is yet
But I want you to know

If I could fly, I’d pick you up
I’d take you into the night
And show you a love
Like you’ve never seen, ever seen

It’s like having a dream
Where nobody has a heart
It’s like having it all
And watching it fall apart
And I would wait till the end of time for you
And do it again, it’s true
I can’t measure my love
There’s nothing to compare it to
But I want you to know

If I could fly, I’d pick you up
I’d take you into the night
And show you a love
Oh, if I could fly, I’d pick you up
I’d take you into the night
And show you a love
Like you’ve never seen, ever seen
Yeah, ooh

If I could fly, I’d pick you up
I’d take you into the night
And show you a love
Oh, if I could fly, I’d pick you up
And take you into the night

(Into the night, fly) if I could fly
I’d pick you up
Oh into the night
I’d pick you up

The drinker’s version of “Let It Go”. I’d like to hear a mashup of this and “Let It Go”, actually. 🙂

Early every year, seeds are growing
Unseen, unheard, they lie beneath the ground
Would you know before the leaves are showing
That with weeds all your garden will abound?

If you close your eyes, stop your ears
Hold your mouth, how can you know?
The seeds you cannot see may not be there
The seeds you cannot hear may never grow

In January you’ve still got the choice
You can cut the weeds before they start to bud
If you leave them to grow higher, they’ll silence your voice
And in December you may pay with your blood

Close your eyes, stop your ears
Close your mouth and take it slow
Let others take the lead and you bring up the rear
And later you can say you didn’t know

Everyday another vulture takes flight
There’s another danger born every morning
In the darkness of your blindness the beast will learn to bite
How can you fight if you can’t recognize a warning?

Close your eyes, stop your ears
Close your mouth and then you know
Let others take the lead and you bring up the rear
And later you can say you didn’t know

Today you may earn a living wage
Tomorrow you may be on the dole
Though there’s millions going hungry, you needn’t disengage
For it’s them, not you, that’s fallen in the hole

It’s alright for you if you run with the pack
It’s alright if you agree with all they do
If the fascist’s party slowly climbing back
It’s not here yet, so what’s it got to do with you?

The weeds are all around us and they’re growing
It will soon be too late for the knife
If you leave them on the wind that around the world is blowing
You may pay for your silence with your life

Close your eyes, stop your ears
Close your mouth, they’re never there
And if it happens here, they’ll never come for you
Because they’ll know you really didn’t care

— Solas, “Song Of Choice” (1998)

Here is how I play music (MP3 files) into a Google Meet.

Hardware

• Windows 10 desktop
• Wireless headset with over-the-ear type headphones

Software

• Google Chrome
• Audio Repeater Pro
• VB Cable A+B
• VLC Media Player

Setup

1. Install “Audio Repeater Pro (64 bit)” and “VB Cable A+B”. Don’t mess with the settings. Just install them.
2. Run “Audio Repeater Pro (64 bit)”. Use these settings:
   • Input Device: Microphone (Logitech G935 Gaming Headset)
   • Output Device: CABLE Input (VB-Audio Cable B)
   • Stream Format: Processing Format (default)
   • Stream Buffer: 40 milliseconds (default)
   • Process Audio: (not checked)
   • Stream Gain: 100%
   • Stream FX: FX Chain (default)
   • Bypass FX Chain: (not checked)
   • Click “Start”.
3. In the task icon area of the taskbar, right-click the speaker, and select “Recording Devices”.
   1. Right-click Microphone (Logitech G935 Gaming Headset), and select “Set as Default Device”.
   2. Right-click Microphone (Logitech G935 Gaming Headset), and select “Properties”.
      • On the “Listen” tab, set to UN-check “Listen to this device”.
      • On the “Levels” tab, set to 90.
      • Click OK.
   3. Right-click CABLE-B Output, and select “Properties”.
      • On the “Listen” tab, CHECK “Listen to this device”.
      • On the “Listen” tab, set “Playback through this device” to “Speakers (Logitech G935 Gaming Headset)”.
      • On the “Levels” tab, set both to 100.
      • Click OK.
4. In the “Playback” tab of the Sound application.
   • Right-click the headset, and select “Set as Default Communication Device”.
5. Run Chrome.
6. In Chrome, go to Google Meet, and join the meeting.
7. When the Meet window opens, click the three dots in the bottom right corner and click “Settings”. On the Audio tab, use these settings:
   • Microphone: CABLE Output (VB-Audio Cable B).
   • Speakers: Speakers (Logitech G935 Gaming Headset).
8. Open VLC Media Player.
   1. Add songs to the playlist.
   2. In the Audio menu, select Audio >> Audio Device >> CABLE Input (VB-Audio Cable B)
9. Invite people to join the hangout.
10. Play songs in VLC. Other people in the Hangout will hear them. To avoid drowning myself out, I set the VLC output level to about 80%.

Recording

Here are the settings I used to record in Flashback Express.

1. In the Tools >> Options menu, look in the Sound section.
2. Under Sound Source, select “PC Speakers (what you hear)”.
3. In the drop-down under “PC Speakers (what you hear)”, select the headset.
4. Now, when recording in Flashback Express…
   1. Under “Record”, select “Window”.
   2. Check “Record Sound”.
5. Still in Flashback Express, in the sound section, check “Record Sound”, and for the source select “Speakers (Logitech G935 Headset)”.

When done with the hangout

1. Close the Hangout window.
2. Click “Stop” in “Audio Repeater Pro (64 bit)”, and close it.
3. Close VLC Media Player.

How many of you remember with fondness the 1973 “Dr. Phibes’ Abominable Christmas Special”?

“Twelve signs of the zodiac. Twelve apostles. Twelve times, twelve! The human body has twelve cranial nerves, Doctor. … I will now play the Twelve Days Of Christmas. Ho. Ho. Ho.”
(from “Dr. Phibes’ Abominable Christmas Special”, 1973)

Dr. Phibes’ Abominable Christmas Special was a Christmas-themed television special starring Vincent Price broadcast December 23, 1973 on ABC. It featured guest star Joseph Cotten in a reprisal of his role as Dr. Vesalius from The Abominable Dr. Phibes. Also guest starring were Virginia North as Vulnavia, Billie Hayes as Witchiepoo from “H.R. Pufnstuf”, Tim Conway, Roz Kelly, Florence Henderson, rock band Pink Floyd, Billy Barty, Betty White and, in an unbilled surprise appearance, Sonny and Cher (whose own Christmas episode of the hit show “The Sonny & Cher Comedy Hour” had been broadcast on CBS four days earlier, on December 19, 1973).

The 1983 Japanese LaserDisc release is the only issue of this special on disc due to the rights issues involved with the various characters and musical performances. The special was announced for DVD release in 2002 but then cancelled when rights could not be obtained, and Disney now claims rights clearances are impossible.