[x]Blackmoor Vituperative

Monday, 2006-05-29

No patents for software in Europe

Filed under: Intellectual Property — bblackmoor @ 10:23

Software patent campaigners have reacted with surprise to an apparent change in the European Commission’s stance on those patents.

The Commission said last week that computer programs will be excluded from patentability in the upcoming Community Patent legislation and that the European Patent Office will be bound by this law.

“The EPO would … apply and be bound by a new unitary Community law with respect to Community patents,” the Commission said in a statement. “The draft Community Patent regulation confirms in its Article 28.1(a) that patents granted for a subject matter (such as computer programs), which is excluded from patentability pursuant to Article 52 EPC, may be invalidated in a relevant court proceeding.”

(from ZDNet, Europe: No patents for software)

This is a change from what the EC said last year. I am curious what the explanation for that change is, but really, anything that moves away from patenting software and algorithms is a good thing.

Friday, 2006-04-28

Are anti-DRM declarations falling on deaf ears?

Filed under: Intellectual Property — bblackmoor @ 11:25

Just say no to iPodDavid Berlind has an article on CNet called “Are anti-DRM declarations falling on deaf ears?“. (The answer to that question, of course, is “yes”.)

The primary targets for his ire are Apple and their malevolent “Fairplay” restrictions on music purchased through iTunes, but the problem goes deeper than that. The media robber barons are colluding with electronics manufacturers and legislators to impose their malicious restrictions on everything that you buy. This is no different from the opposition to the printing press in the 15th century, and the consequences, should the media robber barons be successful, will be no less dire than if the the Eurpean nobility and the papal court had succeeded in supressing the movable type printing press.

This isn’t just about music, or software — this is about the future of our civilization.

Are you listening?

Wednesday, 2006-04-19

Streamcast to slug it out in court with RIAA, MPAA

Filed under: Intellectual Property — bblackmoor @ 21:29

This news is a week old, but I just heard about it, so maybe you haven’t heard about it, either.

As part of their strategy to crack down on users of P2P file-sharing software, the RIAA and MPAA also went after the makers of the file-sharing apps. They saw their greatest success in the MGM v. Grokster case, in which the Supreme Court of the United States ruled that Grokster could be held liable for the copyright-infringing use of its software and network and sent the case back to a lower court.

Streamcast Networks, which is responsible for the file-sharing program Morpheus, has decided to take its chances in court, breaking off settlement negotiations with record labels and movie studios. The RIAA and MPAA had informed Streamcast along with seven other companies of their intent to file suit against them in the wake of the MGM v. Grokster ruling last summer.

Streamcast’s decision to fight it out in court marks a change of heart for the company, which prevously said it planned to settle the case. In a statement, Streamcast CEO Michael Weiss noted his disappointment that the company couldn’t come to an agreement with the labels and studios and said that Streamcast wants its “day in court.”

One aspect of the negotiations between Streamcast and the plaintiffs had revolved around legitimizing the P2P service, perhaps in a fashion similar to iMesh. However, Weiss said that the negotiations soured when the talks turned from “a full-on partnership into a one-sided, unworkable deal.”

(from ArsTechinca, Streamcast to slug it out in court with RIAA, MPAA)

Just so we are all clear, here: organizations like MPAA, Macrovision, and RIAA are evil. They subvert the legal system and cripple the ability of future generations to create and enjoy works of art in every field: novelists, painters, filmmakers, musicians, singers, and everyone who enjoys these works are all being disenfranchised for decades, if not centuries, because of these ruthless gangsters.

Monday, 2006-04-10

Superboy in court

Filed under: Entertainment,Intellectual Property — bblackmoor @ 11:21

The Legion Omnicom has a really great description of the legal tussle over Superboy, with lots of links and really tight commentary by knowledgable people. So go read that: I won’t waste your time by trying to summarize it here (any more than I just did, anyway).

Of course, if Disney hadn’t kept bribing lobbying Congress into extending copyright protection ad infinitum, this whole thing would be a non-issue. (Because it would be a trademark issue instead, and trademarks never expire. Yeah, that’s a mess, too….)

Tuesday, 2006-04-04

Intellectual property run amok

Filed under: Intellectual Property — bblackmoor @ 19:48

Mother Jones has an amusing compilation of “intellectual property” stupidity.

Between Lawyers has an amusing exchange about it.

It’s good to know that IP lawyers can get a chuckle while destroying our future.

Wednesday, 2006-03-29

Black Mask

Filed under: Gaming,Intellectual Property — bblackmoor @ 23:55

Black MaskNo, not the Jet Li movie.

I’m not an artist, but I like to draw. I spent the last couple of weeks working on this drawing of “Black Mask“, the WestGuard cruiser. I drew it in Inkscape, a great free (open source) SVG drawing program.

Like all of the gaming material I create these days, the image and the original file are released under the Creative Commons Attribution-ShareAlike license. If you create gaming material, you should seriously consider releasing it all under this license.

Wednesday, 2006-03-15

GPL poses no special Sarbanes-Oxley risk

Filed under: Intellectual Property,Linux — bblackmoor @ 00:22

This isn’t exactly a scoop, but hey, I’ve been busy.

Some have recently argued that corporate executives face increased risk of criminal liability under the Sarbanes-Oxley Act of 2002 (SOX) if their companies develop and distribute code licensed under the GNU General Public License (GPL). The argument, as it has been made, raises significant concerns about SOX compliance, but it fails to clarify the scope and context of these points. We have reviewed these issues and, as discussed more fully below, there is in fact no special risk for developing GPL’d code under SOX. Under most circumstances, the risk posed to a company by SOX is not affected by whether they use GPL’d or any other type of software. Arguments to the contrary are pure anti-GPL FUD.

(from Software Freedom Law Center, Sarbanes-Oxley and the GPL: No Special Risk)

I’m not sure what Wasabi thought they were accomplishing by publishing their scare-tactics white paper, but anyone familiar with SarbOx and familiar with the terms of the GPL (and really, it isn’t hard to be one of those people, all it takes is some time to read up on them) can see that they’re blowing smoke. Shame on them.

Tuesday, 2006-01-17

GPL 3.0 draft tackles patents, compatibility

Filed under: Intellectual Property,Linux — bblackmoor @ 14:51

The first discussion draft of the GNU General Public License was finally released on Monday, and addresses the issues of patents and patent-related retaliation, as well as its compatibility with other licenses.

Richard Stallman, the founder of the Free Software Foundation and author of the original license, was the first to take the floor here at the First International Conference on GPLv3 at MIT (the Massachusetts Institute of Technology), to express his vision for the new license. […]

The biggest changes to the license were in the area of license compatibility, removing the obstacles that prevented it from being combined with code from other free software packages. […]

The other biggest changes to the license were regarding the issue of DRM (Digital Rights Management), which was seen as denying users the freedom to control the software they had.

“DRM is a malicious feature and can never be tolerated, as DRM is fundamentally based on activities that cannot be done with free software. That is its goal and it is in direct opposition to ours. But, with the new GPL, we can now prevent our software from being perverted or corrupted,” he said.

A patent license grant has now also been included, as well as a narrow kind of patent retaliation clause. “If person A makes a modified version of a GPL-covered program and then gets a patent on that and says if anyone else makes such a modified version, they will be sued, he then loses the right to make any modifications, meaning he can’t commercially use his software,” Stallman said.

While the license does not require that the modified version be released, it does ensure that others would not be prevented from writing similar modifications under the license, he said.

(from eWeek, GPL 3.0 Draft Tackles Patents, Compatibility)

These sound like good changes to me. If you want more detail (and you should), you can read the full text of the GPL 3.0. You may also want to check out the Free Software Foundation’s rationale for the changes in GPL 3.0.

Sunday, 2006-01-08

HR4569, video conversion, and the destruction of electronics

Filed under: Intellectual Property — bblackmoor @ 01:31

This is from Keith Lofstrom. Read it, and do what he asks.

I hope to be meeting next week with a staffer in Senator Gordon Smith’s (R – Oregon) D.C. office about HR4569, the Digital Transition Content Security Act, which may work its way towards a vote this year, if the MPAA gets their way.

HR4569 is intended to close the “analog hole” in the digital rights management chain. Many of us disagree with DRM on principle, and fight the Motion Picture Association of Amerika to protect the rights of fair use and free speech. This goes beyond that, because one side effect of HR4569 may be the destruction of post-1960 electronic technology in the United States.

The “analog hole” is the place where video leaves your VCR or DVD player as analog signals (typically as one or three cables) to go to your TV set or DVD recorder or TIVO or whatever. These analog signals can be captured by a digitizer, and the bits can be stored on a DVD or sent out on the internet. The analog signals can be marked in multiple ways to signify that they are not supposed to be copied, with either a signal in the strip of black above/below the field of the signal ( CGSM-A vertical interval signalling, or the “broadcast flag” ) or with a steganographic technique that signals by twiddling the luminance levels of successive lines of video (VEIL or Video Encoding Invisible Luminance).

HR4569 demands that digitizing systems preserve this information, and in particular that they respond to it and not digitize if they detect VEIL or CGSM-A signals indicating “do not copy”. These signals are not difficult to extract if the system is specialized to handle video. If this bill passes, and your “Tivo-Reloaded” detects these signals on a broadcast show, it will refuse to record the show. Since both CGSM-A and VEIL signals are fairly easy to detect if you know you are looking for them, it is also pretty easy to build a stripper circuit that takes them out or mangles them, and passes the rest of the information through. Such a circuit is specifically forbidden by HR4569.

So what’s my beef? Where does the doom and gloom come from? Why is this so major, and not merely a small step in the gradual elimination of our fair use and free speech rights?

While there are systems that specialize in digitizing video, that are built by the millions with inexpensive high yield technology, these aren’t the only digitizers out there, nor are they the only digitizers capable of turning analog video into bits. General purpose analog-to-digital converters are used in thousands of applications, and the same component or system that might be used in an electronics test system or a cell phone can be used to produce a stream of bits that could be recorded by a computer. This could be no more complicated than plugging a PCI digitizer card into a computer (and this is probably how they prototyped the Tivo before they built specialized hardware). This could be as sophisticated as using a multi-gigahertz bleeding-edge-technology Tektronix digital oscilloscope to capture similar bits, then running the record into a computer for analysis. This is done all the time when video equipment is designed – that’s how the design engineer can test whether the inexpensive consumer gear they are designing will work under a broad range of conditions.

So in fact there is no clear distinction between electronics that can digitize video and electronics for other purposes; placing all-encompassing constraints on video applications must be applied to all applications, or else the constraints are useless. There are billions of converter chips and instruments and legacy consumer gear already made and in the world that can do this conversion. HR4569 will not apply in Canada or Mexico or Europe or Asia. So this bill does not do much hole closing at all. It just robs consumers of simple options to exercise their fair use rights.

The problem comes if the MPAA uses this monopoly grant of power to extend their reach to close more of the hole. They would be enabled by this bill to demand that a new Tektronix digitizing oscilloscope have CGSM-A and VEIL technology built into the scope. Irksome and expensive, with the side effect that these instruments would be much less useful for developing video technology in the US. But the hole is still not plugged, just restricted on the margin.

The billions of analog-to-digital converters produced each year are the next plausible target. HR4569 does not recognize the difference between a component and a system; again, there is no clear technological distinction. So the MPAA is entitled to use their monopoly power to exercise prior restraint against chip manufacturers, and distributors, to ensure that these chips are fitted with detectors for CGSM-A and VEIL. And this is where the system collapses.

A general purpose chip analog-to-digital converter can be used in a number of different ways. It can operate at a wide range of sampling rates, so it is impossible to find line 21 in the vertical interval to find CGSM-A, or to detect the characteristic 7200Hz luminance signal of VEIL, because this requires recognizing many details about the video signal and knowing accurately “what time it is”. Chips don’t know these things – this knowledge is applied at the system level. In fact, specialized video chips could be run at different rates by the same sort or tricks that computer overclockers use; even if all these detectors were hard coded into a chip, they are likely to be easily fooled by software or hacking. Yet the manufacturers and distributors of the chips are held accountable, and subject to half-million dollar fines per component, if their components can be used or abused this way.

Can you imagine the chilling effect this will have on the availability of electronic components in the US? Who would take the risk? All electronic development will move overseas by the threat of lawsuit. New technologies will get developed there. At some point, even system repair moves there, or doesn’t get done. Who wants to take the risk of selling test equipment in the US?

As I mentioned, VEIL technology works on a 7200Hz luminance signal added to the video field. If a video system detects that, it is not supposed to record it. So imagine I am an LA cop, and I don’t want to be recorded the next time I beat up a Rodney King. With an LED flashlight modified to produce a 7200Hz luminance signal broadcasting “don’t record me”, I can wield my truncheon without worries. Or perhaps I am a terrorist in Iraq, wishing to escape observation from a US military camera surveilance system. I buy the same flashlight. turn off the cameras with it, and hide my bomb or assassinate my target.

Or I could build a very big 7200Hz flashlight and sit outside the perimeter of a Hollywood movie set, shutting down the digital movie cameras. Let the MPAA enjoy a taste of what they created. They wouldn’t have many options – all their cameras are from overseas, and bought on the grey market, because their own stupid law shut down the legitimate channels.

My, I think this has turned into a flame. Time for my meds … Ah, that’s better!

So what does this all mean, and what can you do about it? First, learn more about the bill. You can read more about HR4569 at

http://static.publicknowledge.org/pdf/HR-4569-DTCSA-Analog-Hole.pdf
http://www.technewsworld.com/rsstory/47939.html

Look up “analog hole”, “DRM”, “CGMS” and “VEIL” on Wikipedia. You can also go to the Electronic Frontier Foundation at www.eff.org and follow the growing protest.

The bill is being sponsored by the ranking members of the House Judiciary Committee, Chairman James Sensenbrenner (R) of the 5th Congressional District of Wisconsin, and John Conyers (D) of the 14th Congressional District of Michigan. They come up for re-election this year. A campaign contribution to the appropriate opposing campaign ( D, R, G, L, or other), with an explanatory note to all the campaigns, would be a sincere way to say “you are SO FIRED!”

A letter to your own Congressional representative would help. This HR4569 crock of fertilizer may make it to the Senate, which is why I am planning a meeting with Senator Gordon Smith’s staff. Sen. Smith heads the Commerce committee, which will have a lot of influence on whether this thing passes.

A rule of thumb in politics is that a single written letter approximates the opinions of 1000 constituents. It costs about $4 per voter for Smith to run a campaign. So in some sense, a postal letter to Smith on this issue is worth about $4000 . So get writing! A polite well written letter on paper in a stamped envelope counts for more than an email or fax or phone call. An office visit counts for even more.

So, learn, discuss, write, and take action.

Keith

Tuesday, 2005-12-06

Sony gets sued

Filed under: Intellectual Property,Music — bblackmoor @ 18:12

From the moment I learned about the illegal hacking of customers’ computers by Sony, I have been calling and writing my legislators to urge them to initiate legal action against the company.

Well, it looks like the ball has started rolling.

According to eWeek, Sony’s legal problems have begun, and hopefully they will continue for quite a while.

“The allegation that Sony has incorporated open-source software into its purportedly proprietary software in a manner inconsistent with the Open Source General Public License, if established, would create a nice irony,” said Simon J. Frankel, an IP (intellectual property) attorney and partner with Howard Rice Nemerovski Canady Falk & Rabkin LLP in San Francisco.

“The entire purpose of open-source software is to make broadly useful software available for all to build on. For Sony to take such software and incorporate it into software that it claims as proprietary would be contrary to the entire spirit of open source,” Frankel said.

“The improper use of GPL software by Sony could be the basis of a claim for violation of the GPL, which could prevent Sony from utilizing the rootkit program to the extent that it includes GPL software and, if a proper party were definable, could even subject Sony to damages claims under the license and copyright principles,” said Michael R. Graham, IP attorney and partner with Marshall, Gerstein & Borun LLP, a Chicago-based law firm specializing in IP.

Not long after that, the lawsuits bagan. The first suit came from the EFF (Electronic Freedom Foundation), but it was soon followed by a suit from the state of Texas.

“On a very basic level of product liability law, if Sony is distributing a product that causes damage to consumers, then it may well be held liable,” Frankel said.

“There also appears to be a particular Texas statute that may make Sony liable for distributing spyware to consumers’ computers. This potential legal liability only piles on to the tremendous public relations snafu caused by Sony’s media player,” Frankel added.

(from eWeek, Sony’s Rootkit DRM Raises Legal Red Flags)

Way to go, Texas! Time for Virginia to step up to the plate.

Indeed, one way or another, thanks to its use and licensing of XCP DRM, Sony may be in for quite a legal shipwreck.

By all the gods of music and video, let’s hope so.

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